Early music

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  Año 1999, Vol. 27, Número 4

  • Marenzio and Cardinal Luigi d'Este

    Marco Bizzarini

    págs. 518-528

    

  • Marenzio and the villanella alla romana

    Ruth I. DeFord

    págs. 535-551

    

  • Marenzio and Wert read Tasso: A study in contrasting aesthetics

    Jessie Ann Owens

    págs. 555-572

    

  • `Such sweet sorrow': The dialogo di partenza in the Italian madrigal

    James Chater

    págs. 576-598

    

  • `An aristocratic dilettante': Notes on the life and works of Antonio Bicci (1552-1614)

    Piero Gargiulo

    págs. 600-607

    

  • Marenzio's sacred music: The Roman context

    Noel O'Regan

    págs. 608-620

    

  • Marenzio, Poland and the late polychoral sacred style

    Roland Jackson

    págs. 622-631

    

  • Performance practice in the seconda prattica madrigal

    Rinaldo Alessandrini

    págs. 632-639

    

  • Marenzio on record

    Roberto Giuliani

    págs. 641-651

    

  • Marenzio's life reassessed

    Laura Macy

    págs. 655-656

    

  • Music at Burgos Cathedral

    Paul R. Laird

    págs. 656-658

    

  • Bardic traditions and transcriptions

    Wyndham Thomas

    págs. 659-660

    

  • Mysteries of the early double bass

    Ephraim Segerman

    págs. 660-661

    

  • Sacred music by Morley and Aldrich

    Bruce Wood

    págs. 663-664

    

  • Neue Bach-Ausgabe keyboard offprints

    David Ledbetter

    págs. 664-666

    

  • Useless old music?

    Keith Elcombe

    pág. 667

    

  • A Tallis Mass

    Joseph Kerman

    págs. 669-671

    

  • Frescobaldi attributions

    Naomi Joy Barker

    págs. 671-673

    

  • Les voix humaines

    Lucy Robinson

    págs. 674-675

    

  • Buxtheude instrumental music

    Christopher Maxim

    págs. 677-678

    

  • Thurston Dart clavichord recordings

    Howard Schott

    págs. 678-680

    

  • Marenzio celebrations in 1999

    Marco Bizzarini

    pág. 682

    

  • 1999 Boston Early Music Festival

    Howard Scott

    págs. 683-685

    

  • NEMA Conference

    Jeremy Montagu

    pág. 686