Screen

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  Año 1999, Vol. 40, Número 1

  • The poetry of the ordinary: Terence Davies and the social art film

    págs. 1-16

    

  • Reverence, rape - and then revenge: popular Hind; cinema's 'woman's film'

    págs. 17-37

    

  • From 'figurative males' to action heroines:further thoughts on active women in the cinema

    págs. 38-50

    

  • Excusing the violence of Hollywood women:music in Nikita and Point of No Return

    págs. 51-65

    

  • And what might our children become? Future visions, governance and the child television audience in postwar Britain

    págs. 66-87

    

  • Midlands Television' Research Group: a report

    págs. 88-90

    

  • The Bill Douglas Centre for the History of Cinema and Popular Culture

    págs. 91-93

    

  • Cinema, Identity, History: an International Conference on British Cinema

    págs. 94-95

    

  • Screen Studies Conference 1999

    págs. 96-99

    

  • Film Music Conference

    págs. 100-102

    

  • Gilberto Perez, The Material Ghost: Films and Their Medium

    págs. 103-114

    

  • Richard Dyer, White

    págs. 115-119

    

  • Deirdre Boyle, Subject to Change: Guerrilla Television Revisited

    págs. 120-122