Screen

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  Año 1999, Vol. 40, Número 3

  • Making connections

    págs. 229-238

    

  • Revisiting the belly of Naples: the body and the city in the films of Mario Martone

    págs. 239-256

    

  • Performing Paris: myths of the city in Robert Siodmak's emigre musical La Vie Parisienne

    págs. 257-276

    

  • Time, space and vision: Nicolas Roeg's Don't Look Now

    págs. 277-294

    

  • Talking the talk, walking the walk

    págs. 295-303

    

  • Histoire(s) du cinema (1988-1998)

    págs. 304-305

    

  • The signs amongst us: Jean-Luc Godard's Histoire(s) du cinema

    págs. 306-315

    

  • Le vrai coupable: two kinds of criticism in Godard's work

    págs. 316-322

    

  • The Nutty Professor: teaching film with Jean-Luc Godard

    págs. 323-330

    

  • The death(s) of cinema according to Godard

    págs. 331-346

    

  • Histoire(s) du cinema a select bibliography

    pág. 347

    

  • Ian Aitken (ed.), The Documentary Film Movement: an Anthology; Barry Grant and Jeannette Sloniowski, Documenting the Documentary: Close Readings of Documentary Film and Video; Alan Rosenthal (ed.), Why Docudrama7 Fact-Fiction on Film and TV; Derek Paget, No Other Way to Tell it: Dramadoc/Docudrama on Television

    págs. 348-353

    

  • Edward Buscombe and Roberta Pearson (eds), Back in the Saddle Again: New Essays on the Western; Stephen Prince, Savage Cinema: Sam Peckinpah and the Rise of the Ultraviolent Movie

    págs. 354-357

    

  • (Dis)engaging characters: a response to Lynne Pearce's review

    págs. 358-362