Screen

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  Año 2003, Vol. 44, Número 1

  • `Shivers down your spine': panoramas and the origins of the cinematic reenactment

    A. Griffiths

    págs. 1-37

    

  • The open image: poetic realism and the New Iranian Cinema

    S. Chaudhuri

    págs. 38-57

    

  • Terminal replay: Resnais revisited in Chris Marker's Level Five

    C. Lupton

    págs. 58-70

    

  • New voyages to Italy: postmodern travellers and the Italian road film

    L. Rascaroli

    págs. 71-91

    

  • Television, documentary and the category of the aesthetic

    J. Corner

    págs. 92-100

    

  • Closeup: documentary aesthetics

    K. Lury

    págs. 101-105

    

  • Value and television aesthetics

    I. Goode

    págs. 106-109

    

  • `Trading Culture': a conference exploring the `indigenous' and the `exportable' in film and television culture

    J. Thumim

    págs. 110-114

    

  • Hamid Dabashi, Close Up: Iranian Cinema Past, Present, Future

    A. Saljooghi

    págs. 115-118

    

  • Christopher E. Gittings, Canadian National Cinema

    K. Moen

    págs. 119-122

    

  • Purnima Mankekar, Screening Culture, Viewing Politics: an Ethnography of Television, Womanhood and Nation in Postcolonial India; Arvind Rajagopal, Politics After Television: Hindu Nationalism and the Reshaping of the Public in India

    S. Kumar

    págs. 123-128

    

  • Greg Taylor, Artists in the Audience: Cults, Camp and American Film Criticism

    M. Jancovich

    págs. 129-131