Early music

• 

  Año 2003, Vol. 31, Número 2

  • Editorial

    pág. 163

    

  • Beethoven's appoggiaturas: long or short?

    Barry Cooper

    págs. 165-176

    

  • Self-reflexive songs and their readers in the late 14th century

    Anne C. Stone

    págs. 180-193

    

  • Ars Subtilior repertory as performance palimpsest

    Donald Greig

    págs. 196-206

    

  • 'My honourable Lord and Father ¿': 18th-century English musical life through Bohemian eyes

    Eva Mikanova, Michaela Freemanova

    págs. 210-232

    

  • 'Suonatore del Principe': new light on Viotti's Turin years

    Warwick Lister

    págs. 232-246

    

  • Handel at Oxford in 1733

    H. Diack Johnstone

    págs. 248-260

    

  • Five into four does go: the vocal scoring of Ockeghem's Missa L'homme armé

    Roger Bowers

    págs. 262-265

    

  • Early English Masses

    Alejandro Enrique Planchart

    págs. 266-272

    

  • Interpreting Bach's counterpoint

    David Humphreys

    págs. 275-276

    

  • No apologies for the 18th century

    Thomas McGeary

    págs. 276-279

    

  • Una cosa rara

    Michael F. Robinson

    págs. 280-281

    

  • Clavicordio V

    Howard Schott

    págs. 281-283

    

  • The Italian viol lives

    Michael Fleming

    págs. 283-284

    

  • Monteverdi at San Marco

    Graham Dixon

    págs. 284-285

    

  • Cheshire fiddlers and pipers

    Jeremy Montagu

    págs. 284-285

    

  • Music for the Duke of Urbino

    Bojan Bujic

    págs. 287-288

    

  • Fauvel's performing turns

    Jeremy Llewellyn

    págs. 288-289

    

  • Sweelinck studies

    Howard Schott

    págs. 289-290

    

  • Communicating the Bach tradition

    Graham Dixon

    págs. 290-291

    

  • William Lawes vocal works

    Ian Spink

    págs. 293-296

    

  • Nancy Storace's arias

    Emma Kirkby

    págs. 297-298

    

  • Baroque chamber music

    Peter Holman

    págs. 298-301

    

  • Italian seasoning

    Elizabeth Roche

    pág. 301

    

  • Varieties of the seconda prattica

    Philip Weller

    págs. 303-307

    

  • Knock'd on the head?

    Lucy Robinson

    págs. 308-309

    

  • Angelic voices?

    Alison Bullock

    págs. 309-311

    

  • Mozart in Ithaca

    Paul Corneilson

    págs. 312-314

    

  • Festival Lodoviciano, Viadana

    Dinko Fabris

    págs. 314-315