A. Kemp
págs. 4-5
John Sloboda, J. Hartley
págs. 6-7
K. T. Strongman, M. M. Miller
págs. 8-27
Aspects of Stylistic Knowledge: What Are Different Styles Like and Why Do We Listen To Them?
N. Hortacsu, H. G. Tekman
págs. 28-47
Recognition of Visually Presented Musical Intervals
E. Gillman, G. Underwood
págs. 48-57
págs. 58-101
Gendered Voice in the Cathedral Choir
Graham Welch, D. M. Howard
págs. 102-120
Family Dynamics and Family Scripts: A Case Study of Musical Development
J. W. Davidson, S. J. Borthwick
págs. 121-136
págs. 137-140
pág. 137
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