Art bulletin

• 

  Año 2002, Vol. 84, Número 3

  • (Dis)assembling: Marsyas, Michelangelo, and the Accademia del Disegno

    Fredrika Jacobs

    págs. 426-448

    

  • Caravaggio's Deaths

    Philip Sohm

    págs. 449-468

    

  • The Painter's Secret: Invention and Rivalry from Vasari to Balzac

    Marc Gotlieb

    págs. 469-490

    

  • Picture Consumption in London at the End of the Seventeenth Century

    Carol Gibson-Wood

    págs. 491-500

    

  • Pieter Bruegel the Elder: The Draftsman Revealed

    Nina Eugenia Serebrennikov

    págs. 501-510

    

  • Projecting an Image: The Contested Cultural Identity of Thomas Eakins

    David Lubin

    págs. 510-522

    

  • Hegel's Art History and the Critique of Modernity (Book)

    Jonathan Gilmore

    págs. 523-526

    

  • Art of the Modern Age: Philosophy of Art from Kant to Heidegger (Book)

    Jonathan Gilmore

    págs. 523-526

    

  • The Tombs of the Doges of Venice (Book)

    Geraldine A. Johnson

    págs. 526-528

    

  • The Sculpture of Nanni di Banco (Book)

    Geraldine A. Johnson

    págs. 526-528

    

  • The Sculptures of Andrea del Verrocchio (Book)

    Geraldine A. Johnson

    págs. 526-528

    

  • Alessandro Vittoria and the Portrait Bust in Renaissance Venice: Remodeling (Book)

    Geraldine A. Johnson

    págs. 526-528

    

  • Siena and the Virgin: Art and Politics in a Late Medieval City State (Book)

    Adrian W. B. Randolph

    págs. 528-532

    

  • Fra Filippo Lippi: The Carmelite Painter (Book)

    Adrian W. B. Randolph

    págs. 528-532

    

  • The Art and Ritual of Childbirth in Renaissance Italy (Book)

    Adrian W. B. Randolph

    págs. 528-532

    

  • Modern Life and Modern Subjects: British Art in the Early Twentieth Century (Book)

    David Cast

    págs. 532-535

    

  • Challenging Art: Artforum 1962-1974 (Book)

    David Cohen

    págs. 535-538

    

  • Letter

    Anthony Alofsin, James Elkins

    pág. 539