Literature / Film quarterly

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  Año 2002, Vol. 30, Número 3

  • 'Now is a time to storm': Julie Taymor's Titus (2000)

    Elsie Walker

    págs. 40-53

    

  • Shakespearean Authorship in Popular British Cinema

    Jane E. Kingsely-Smith

    págs. 158-165

    

  • 'Fancy's Images': Reinventing Shakespeare in Christine Edzard's The Children's Midsummer Night's Dream

    Mark Thornton Burnett

    págs. 166-170

    

  • Nostalgia for Navarre: The Melancholic Metacinema of Kenneth Branagh's Love's Labour's Lost

    Ramona Wray

    págs. 171-178

    

  • Inter-cutting in Trevor Nunn's Twelfth Night

    Philippa Sheppard

    págs. 179-188

    

  • Black and White as Technique in Orson Welles's Othello

    James W. Stone

    págs. 189-193

    

  • Room for Asta: Gender Roles and Melodrama in Asta Nielsen's Filmic Version of Hamlet (1920)

    Monika Seidl

    págs. 208-216

    

  • 'How Do You Solve a Problem Like Maria?': A Problematic (Re)Interpretation of Maria in Trevor Nunn's Twelfth Night

    Kelli Marshall

    págs. 217-222

    

  • Classic Demolition: Why Shakespeare is Not Exactly 'Our Contemporary' or, 'Dude, Where's My Hankie?'

    James M. Welsh

    págs. 223-227

    

  • Branagh's Labour's Lost: Too Much, Too Little, Too Late

    Gayle Holste

    págs. 228-230

    

  • Shakespeare, Hollywood, and Mexico: The Cantinflas Romeo y Julieta

    Richard Vela

    págs. 231-237