Journal of the Royal Musical Association

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  Año 2000, Vol. 125, Número 2

  • Reception and Recomposition in the Polyphonic Conductus cum caudis: The Metz Fragment

    M. Everist

    págs. 135-163

    

  • Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music

    J. Garratt

    págs. 164-204

    

  • The Provenance of the Londonderry Air

    B. Audley

    págs. 205-247

    

  • Schubert's Homecoming

    N. Marston

    págs. 248-270

    

  • `Ich singe, wie der Vogel singt': Reflections on Nature and Genre in Wolf's Setting of Goethe's Der Sanger

    A. Glauert

    págs. 271-286

    

  • John Walter Hill, Roman Monody, Cantata and Opera from the Circles around Cardinal Montalto

    D. Fabris

    págs. 287-298

    

  • Don Harran, Salamone Rossi: Jewish Musician in Renaissance Mantua

    T. Carter

    págs. 299-305

    

  • The John Marsh Journals: The Life and Times of a Gentleman Composer (1752-1828), ed. Brian Robins

    H. D. Johnstone

    págs. 306-313

    

  • Judit Frigyesi, Bela Bartok and Turn-of-the-Century Budapest

    J. Pasler

    págs. 314-321

    

  • Steven Moore Whiting, Satie the Bohemian: From Cabaret to Concert Hall

    J. Rosteck

    págs. 322-336