Screen

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  Año 2001, Vol. 42, Número 2

  • `110 per cent woman': the crotch shot in the Hollywood musical

    N. Wills

    págs. 121-141

    

  • Not really white - again: performing Jewish difference in Hollywood films since the 1980s

    J. Stratton

    págs. 142-166

    

  • `As they really are, and in close-up': film stars on 1950s British television

    S. Holmes

    págs. 167-187

    

  • Trauma and Screen Studies: opening the debate

    S. Radstone

    págs. 188-192

    

  • Postmodernism as mourning work

    T. Elsaesser

    págs. 193-200

    

  • Melodrama, cinema and trauma

    E. A. Kaplan

    págs. 201-204

    

  • The trauma of history: flashbacks upon flashbacks

    M. Turim

    págs. 205-210

    

  • Trauma cinema: false memories and true experience

    J. Walker

    págs. 211-216

    

  • Girls still cry

    P. White

    págs. 217-221

    

  • A reply to Sellors's `mindless' approach to possible worlds

    W. Buckland

    págs. 222-226

    

  • Defining Cult Movies: the Cultural Politics of Oppositional Taste

    P. Grainge

    págs. 227-229

    

  • Toby Miller and Robert Stam (eds), A Companion to Film Theory; Robert Stam and Toby Miller (eds), Film and Theory: an Anthology; Robert Stam, Film Theory: an Introduction

    C. Williams

    págs. 230-238

    

  • Ravi Vasudevan (ed.), Making Meaning in Indian Cinema

    P. Jaikumar

    págs. 239-243