págs. 11-22
Time, Space, and Cause: the Common Grounds of Three Complex Domains
págs. 23-36
"Be My Trew Mistres Still, Not My Faignd Page": Truth and Disguise in Donne's "Elegy 16"
págs. 37-48
The Rape of Mother Earth in Seventeenth Century English Poetry: an Ecofeminist Interpretation
págs. 49-60
Gentre and Fantasy: Melodrama, Horror, and the Gothic in Martin Scorsese' s Cape Fear (1991)
págs. 61-72
Venetian Masks: Intercultural Alllusion, Transcultural Identity, and Two Othellos
págs. 73-88
The State of British Theatre Now: an Interview with Michael Billington
págs. 89-100
págs. 101-112
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