Journal of the American Musicological Society

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  Año 2004, Vol. 57, Número 2

  • Cultural Meanings for Women Composers: Charlotte ("Minna") Brandes and the Beautiful Dead in the German Enlightenment

    Matthew Head

    págs. 231-284

    

  • Uncanny Resemblances: Tonal Signification in the Freudian Age

    Richard Cohn

    págs. 285-323

    

  • Eco-ing in the Canyon: Ferde Grofé's Grand Canyon Suite and the Transformation of Wilderness

    Brooks Toliver

    págs. 325-367

    

  • The Music of the Troubadours (Book)

    Ardis Butterfield

    págs. 369-374

    

  • Music, Body and Desire in Medieval Culture: Hildegard of Bingen to Chaucer/Music, Body and Desire in Medieval Culture: Hildegard of Bingen to Chaucer (Book)

    Judith A. Peraino

    págs. 374-384

    

  • Guillaume de Machaut and Reims: Context and Meaning in His Musical Works (Book)

    Lawrence Earp

    págs. 384-393

    

  • Binchois Studies (Book)

    J. Michael Allsen

    págs. 394-401

    

  • The Free Fantasia and the Musical Picturesque (Book)

    Gretchen A. Wheelock

    págs. 401-409

    

  • The Eighteenth-Century Diaspora of Italian Music and Musicians/Opera and Drama in Eighteenth-Century London: The King's Theatre, Carrick and the Business of Performance... (Book)

    Mary Ann Parker

    págs. 410-420

    

  • Writings Through John Cage's Music, Poetry, and Art/John Cage: Music, Philosophy and Intention, 1933-1950 (Book)

    Eric Smigel

    págs. 420-432