Resumen de Estilo, industria e institución: reflexiones sobre el canon del cine español actual
Enrique Urbizu’s latest two films, Safe 507 and Life Marks, are examples of what the author considers a model of quality industrial cinema. A stylistic analysis of these films reveals that much of their appeal is to be found in the way in which they rely on traditional narrative and stylistic formulas, only to offer variations and parodies both of these models and of the wellabstract established stereotypes of television fiction.
