Resumen de En el balcón vacío de la Memoria y la memoria en el balcón vacío
En el balcón vacío (On the Empty Balcony) 1961-1962, the mythic film about the exile flight of a Spanish Republican girl and her recollection of that trauma is a subtlle study about the impossibility of overcoming the displacement of childhood and exile trough anamnesis. By exploring different classical strategies of memory found and presenting film in general as a metaphor for exile, this article eventually discusses possible intertexts for En el balcón vacío, Erice’s El espíritu de la colomena (The Spirit of the Beehive) and Saura’s La prima Angélica (Cousin Angélica) as examples of what Naharro describes as abstract the poetics of interexile.
