Memoria fotográfica

• Autores: José Carlos Avellar
• Localización: Archivos de la filmoteca: revista de estudios históricos sobre la imagen, ISSN 0214-6606, Nº 36, 2000 (Ejemplar dedicado a: Brasil, entre modernismo y modernidad), págs. 202-227
• Idioma: español
• Títulos paralelos:
  • Photographic Memory
• Enlaces
  • Texto Completo Ejemplar
• Resumen

  • This article takes a look at the important role photography plays in Brazilian Film, from its early pioneers such as Chick Fowle, Edgar Brasil, or Ricardo Aronovich, on through Cinema Novo, and up to the present. Certainly, the rather violent style inherent in framing and lighting cannot account for all of Brazilian Film, yet it does appear to be the best way of abstract representing Brazilian reality and its central issues.