De la vanguardia al realismo: poéticas de pasaje

• Autores: Sonia García López
• Localización: Archivos de la filmoteca: revista de estudios históricos sobre la imagen, ISSN 0214-6606, Nº 56, 2007 (Ejemplar dedicado a: De la vanguardia al realismo: poéticas de pasaje; Carlos Serrano de Osma: la alternativa telúrica), págs. 10-15
• Idioma: español
• Títulos paralelos:
  • From the Avant-garde to Realism: Poetics of passage
• Enlaces
  • Texto completo
• Dialnet Métricas: 1 Cita
• Resumen

  • This article examines the context that gave rise to a fruitful dialogue between avant-garde and realist cinemas during the 1930s, especially in documentary films: a new kind of vision was being carved out. New perspectives were bringing to light fascinating formal correlations between abstract art and film images of extreme close-ups or extreme amplifications. At the same time avant-garde filmmakers were facing aesthetic and ethic challenges and found in film the perfect medium for intervening in that reality, knowing that it would play a central role as an instrument of social change.