La città scrive: "détournements" nella cultura contemporanea di lingua francese
- Autores: Silvia Riva
- Localización: Altre Modernità: Rivista di studi letterari e culturali, ISSN-e 2035-7680, Nº. 1, 2009 (Ejemplar dedicado a: Miscelanea), págs. 39-49
- Idioma: italiano
- Enlaces
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Resumen
The marks of the events on the urban landscape are a city's writing.
More than writings on a city - amongst which are the memorable work of Baudelaire, the ";flâneur";, and Apollinaire's Lettre-Océan - they represent the analysis of the city that writes on its own texture.
This phenomenon relies on a procedure of diversion and estrangement which turns famous places into uncommon areas and it finds amongst its founding models the cinematographic production of Francois Truffaut (Fahrenheit 451). A similar approach allows us to capture the significance of the work of Dominique Fourcade, one of the most important contemporary French poets. In MW Chute, a poem dated 5th October 2001, he describes the horror of the collapse of New York City's twin towers.
In this piece, Fourcade describes what happened to him on 9/11 not much from a man's perspective but rather from . a poetic standpoint. Ground Zero allows his writing to jump forward, and turn into a verbal city and labyrynth. His reflections on the urban landscape which, collapses under the explosion become a map of dispersed images made of innumerabile détournements (detour aheads), of endless variants and deviations. The event becomes the model and shape of his writing.
