How can literary criticism use writers' archives? If these need to be considered in a genetic perspective as a source of information regarding the processes of creation, they also need to be considered as documents containing clues regarding the relationship of writers to their memory and, in a minor key, to the literary institution itself. Work on the Oulipo archives shows that it is possible to revisit historiographical studies in order to work out how certain writers transform, more or less voluntarily, their documents into as many monuments for posterity.
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