Urban designers, perceiving the city mainly as a morphological phenomenon, are primarily concerned with the sensory, and particularly with the visual, qualities of urban space. This view of the city as a spatial physical structure requires abstraction, to enable comprehension of the complexity and continuity of the urban space, its transparency and its indeterminacy. However, this abstraction often fails to take into account the properties of the city as a place of habitation, ignoring the sociocultural specific cities of its different users. The paper attempts to take urban design beyond this abstraction, which is so indifferent to the human element, towards a more concrete and specific approach. It calls for a shift in the rather theoretical postmodern interest in the urban space, important though it is in its orphological inclusiveness, to embody a pluralistic subjective perception of the space and its use, bearing in mind fundamental relationships between space and social processes.
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