The article aims to create a queer narrative of a recent award winning visualization of HIV, the virus responsible for developing AIDS. While the queerness of the picture remains contested the argument focuses on the entangled genealogies of queer theory and AIDS-activism.
Pointing to the recent development of the anti-social-turn and deconstructing the virus-picture their collaboration in the unremembering of AIDS as an inspiring repository for queer politics in the present becomes visible and points to the task of a still ongoing struggle about the meaning and history of AIDS.
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