Resumen de Social interaction and rock art styles in the Atacama Desert (northern Chile)
In this ground-breaking study the author looks at three consecutive styles of rock art, placing them in the social context in which they were produced. Although necessarily succinct, the argument shows that as hierarchy increased and functioned over longer distances, rock art could perform as the organ of pastoralist authority, or the badge of marginalised hunters or, most often, as the imagery of consensus masking social inequality.
