This article analyzes the poetic events that occurred at the beginning of the 1980s in Barcelona, which are relevant because they were public facts, that is to say, they occur in areas of social relations. Poetry lives a new era, leaving the page and moving onto the stage. Thus, space, movement, gesture and intonation extend the dimensions of the text, and poetry becomes closer to other disciplines that had already been in contact since the origins of poetry: theater and music. These are the reasons why we analyze the causes that led to the phenomenon and what were the consequences for both poetic creation and its reception and criticism.
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