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Michael Haneke

  • Autores: Geoff Andrew
  • Localización: Sight & sound, ISSN 0037-4806, Vol. 22, Nº 12, 2012, págs. 54-58
  • Idioma: inglés
  • Texto completo no disponible (Saber más ...)
  • Resumen
    • Over the past two decades, films such as Funny Games, The Piano Teacher, Hidden and The White Ribbon have harvested awards while giving the Austrian writer-director Michael Haneke a reputation - whether deserved or not - as a cool observer of human cruelty, weakness and perversity. But his new film Amour is something esle. A portrait of a French couple in their eighties, preparing for the end after the wife suffers a stroke, it is - Haneke acknowledges - his most personal and emotional film to date. It also won the director his second Palme d'Or at this year's Cannes Film Festival


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