Resumen de I Rembrandt di Anton Maria Zanetti e le "edizioni" di stampe a Venezia: tra tecnica e stile
Around 1721 Anton Maria Zanetti bought in Holland and then brought to Venice a wonderful and almost comlpete collection of Rembrandt's prints. This essay focuses on the manuscript catalogue, entirely published in the appendix, and on the influences of that collection on the Venetian engraving, from the viewpoint of the "technique of style" (or the "style of technique"), to better understand the experimentations of Marco Ricci, Giambattista and Giandomenico Tiepolo, Canaletto, all of whom were Zanetti's friends and deep "connoisseurs" of his print.
