Mario Morasso e Cesare Laurenti: alcune riflessioni sul Simbolismo e l'"arte nuova"

• Autores: Eugenia Querci
• Localización: Saggi e memorie di storia dell'arte, ISSN 0392-713X, Nº. 36, 2012, págs. 367-380
• Idioma: italiano
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• Resumen

  • Around 1900, while in Italy the nationalist propaganda and antidemocratic ideas were arising, intellectuals and men of letters strove for a new role in the society. Among them, the critic and writer Mario Morass, better known for his connection with Futurism, applied a socio-political interpretation to art and reflected on crucial aspects of Liberty and Symbolism that this text examines and analyzes.