It is possible to consider the Web as an extension of Malraux's "Musée Imaginaire" (museum without walls), even though this takes place through the use of new techniques for the reproduction and the circulation of images. By studying three specific projects on the Web that can be included in the lineage of the museum without walls, it is possible to study the issues that extend and those that renew the imaginary of the "Musée Imaginaire". These include questioning the type of relation between the internet users and this new type of museum, the relation to the idea of cultural democratization, as well as the question of a possible "infinity" of this "Musée Imaginaire" of the Web, and finally that of the status of the work and of its digital image in this new context.
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