Drama theatres are expected to answer the need of intangible and relatively indefinable architectural qualities such as mood, intimacy, magic and memory as well as the acoustical requirements, more than any other building types. Besides this, often, non-acoustic phenomena such as the view from the occupied seat, the comfort of the seat itself, the thermal comfort of the environment etc. can also influence the overall judgment (Cocchi, Farina, Fausti and Tronchin). So, to obtain best design for a drama theatre, both acoustical and visual comfort must be considered carefully. Because, as I tried to describe above, theatrical performances are expected to satisfy the spectators in terms of both auditory and visual comfort conditions. And in this paper, I wanted to focus on beginning of theatre art and design. Because, looking at the past still can be a very useful way to find answer some questions about what we are trying to learn.
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