Resumen de Copyright de la memoria, autoficción y novela familiar en 'Soy un bravo piloto de la nueva China'
Soy un bravo piloto de la nueva China (Semán, 2011) marks a shift in the autofictional representation of the last Argentine dictatorship. Like writers from previous generations and also other children of disappeared parents who have written fictional accounts of the period, Semán also grapples with the problem of how to represent perpetrators by including a military officer as a principal character. This novel, however, represents the first time that a direct victim of the dictatorship � Semán�s father being disappeared by the military regime � includes, as part of the narrative, the point of view of the perpetrator to bear witness to the traumatic events of recent Argentine history.
