Delirio the most international novel of Colombian writer Laura Restrepo, means an approach to the reality lived in her country during 90th decade. Inside, we are witness about the way that violence moulds the experience of three generations of characters whose voice structure appears whispering, but shouting their delirious consequences as well. In this paper, we will examine how well madness materializes as an answer to national harms, analyzing especially how that contributes to the self-memory construction.
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