Niccolò Tribolo lungo le coste della Versilia

• Autores: Alessandra Giannotti
• Localización: Paragone. Parte arte, ISSN 1120-4737, Nº 116, 2014, págs. 3-20
• Idioma: italiano
• Texto completo no disponible (Saber más ...)
• Resumen

  • The "Godness of Nature" (1528-1529, Fontainebleau, Château) reveals Tribolo's talent for ornament. This develops an idea that can be attributed to Giulio Romano,and also reflects awareness of the grotesque incrustations of Giovanni da Udine and the drilled marble work of the Sienese artists Angelo and Lorenzo Marrina. To these experiences Tribolo added his study of Silvio Cosini on the walls of the New Sacristy in San Lorenzo, and the Florentine works of Michelangelo and Andrea del Sarto. There is also an echo of his sojourn on the Tuscan coasts, repeated several times between 1525 and 1528, which had drawn him into the circle of Andrea Sansovino and the Hispanophile artists linked with Ordóñez. This is precisely when he worked alongside Stagio Stagi, who had recently been active in the workshop of Pandolfo Fancelli, a significant collaborator of the Spanish master. This connection appears to have led to Tribolo's work on the transept altars of Pisa Cathedral (dedicated to Saints George, John and Francis, and Mary and Clement), as well as his acquaintance with a Francesco di Vicenti da Firenze, perhaps with Francesco di Vicenzo de Sangallo.