Post-Western poetics: postmodern appropriation art in Australia

• Autores: Ian McLean
• Localización: Art history: journal of the Association of Art Historians, ISSN 0141-6790, Vol. 37, Nº. 4, 2014 (Ejemplar dedicado a: Theorizing imitation in a global context / coord. por Paul Duro), págs. 628-647
• Idioma: inglés
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• Resumen

  • For the first time, the exhibition "Magicians of the Earth" (Pompidou, 1989) put Western artists in competition with large numbers of non-Western ones. This new globalism willfully disgregarded a key feature of the modernist period, in which non-Western art was quarantined from the discourse of contemporary art. However, modernism had been challenged a full decade before "Magicians of the Earth", with the advent of postmodernism. With this in mind, this essay examines the relationship between the post-Western transformations of globalism and postmodern appropriation art, through a case study of four Australian artist born in the mid-twentieth century: Richard Bell, Gordon Bennett, Michael Nelson Jagamara and Imants Tillers.