The amazing discovery of the Dura Europos synagogue, accurately dated 245 A.D., has raised many scholarly questions. Some scholars, for instance, armed with the presumptive stern injunction of the Second Commandment, were utterly shocked by this archaeological find, and have had to revise their preconceived theories. Another major scholarly debate is whether the Dura synagogue paintings exerted an influence on later Christian and Jewish art. According to some scholars, there exist definite iconographic parallels between the Dura synagogue depictions and medieval Spanish, Byzantine and Jewish art. The paper examines the iconographic features found in the biblical illustrations of the Dura synagogue and in later medieval art and comes to the conclusion that no concrete and indisputable connection can be established.
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