A critical historical analysis of the Romantic period in Venice, that is in the 1800's, means to be sure dealing with an image of dreams and desire, a close but at the same time, ever so distant response to the problems of European society of the time, oriented in the perspectives of industrial positivism. But it also poses a more complicated and particular problem within the history of art at present busy tracing the historical and geographic guidelines of medieval Italian architecture - Romanesque, Gothic and Byzantine.
© 2001-2025 Fundación Dialnet · Todos los derechos reservados