A biographic portrait of Guillelmus de Aragonia, royal physician and medicinae magister (a degree very likely obtained at Montpellier), provides the context for his De nobilitate animi , probably composed in the 1280s. This article focuses on the troubadour quotations that Guillelmus used to develop his argument: the original sources are identified whenever possible, and the way Guillelmus adapts them is analysed.
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