This study aims to deepen and integrate the activities of the Florentine sculptors Pietro di Niccolò Lamberti and Michele da Firenze.
It has been possible to stablish that the Madonna and Child, now in the Royal Ontario Museum in Toronto (no. 938.16.2), came from the church of Sant’Eufemia in Verona, and formulate a proposal on its original location from a photograph published in the monograph of the building of Augustinian worship, published in 1991.
A further step for the knowledge of early fifteenth century sculpture of Verona has taken by reviewing the transitions from one collector to another of a pottery with a Nativity, preserved in the Arthur M. Sackler Collections in Washington and attributed to the workshop of Michele da Firenze.
The survey was originally located in the sacristy of the church of San Zeno in Monte, as evidenced by three drawings by Gaetano Cristofali through which it was possible to ideally complement the bottom, now missing, depicting the Adoration of the Magi.
Finally, following a successful visit to the oratory in the parish church of St. Peter the Apostle in Zevio (Verona), it was possible to add a new number in the catalog of altarpieces for private devotion made by Michele da Firenze.
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