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Resumen de Acérer la plume, «lacérer le vide». Une lecture d'Idéogrammes en Chine

Dong Qiang

  • Hieroglyphs were displaced by Chinese ideograms for Michaux: he intuited the greater part abstraction plays in the way they allude, while they combine painting and writing in gestures reminiscent of throwing and spitting, central to his creative processes.


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