Habit réel, habit imaginé: La reine de France en majesté, XIVe -début du XVIe siècle

• Autores: Murielle Gaude-Ferragu
• Localización: Revue de l'art, ISSN 0035-1326, Nº. 174, 2011, págs. 9-19
• Idioma: francés
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• Dialnet Métricas: 1 Cita
• Resumen

  • At the late Middle Ages, the ceremonial presentation of the queen, sought by the Valois, was accompanied by the invention of a feminine garment of majesty, invention both real (red coronation dress, dress with fleur-de-lys for the Entrée of Isabeau, and the combination surcoat-coat for funerals) and artistic. The painters imagined a costume distinguishing the queen - and Fouquet played a major role in the creation of this "stage costume" -- which associated a surcoat with an ermine corsage and a skirt with a long train, either in a solid color, or for coronations, covered with fleur-de-lys. The ceremonial reality and the artistic representations thus maintained a permanent dialog, and it is sometimes difficult to know which, between the real costume and the imagined costume, served as a model for the other.