A corpus of stained glass from the vicinity of the town of Blois, France, can be attributed to one of Jean Fouquet's sons. The corpus from Blois is attributed to a single artist usually called the “Master of Saint Jacques.” A comparison of this work with the manuscript paintings from what is commonly referred to as the “Loire School” and with another stained-glass window undoubtedly given by the family of Florimond Robertet to the church of Saint Secondin, Molineuf, demonstrates that the technique and the style of painting of the “Master of Saint Jacques” are similar to the art of the “Master of the Munich Boccaccio.” According to Fraņcois Avril, the “Master of the Munich Boccaccio” carries on Jean Fouquet's style, and appears to have been one of his sons, either Fraņcois or Louis. This thus confirms the existence of a Fouquet workshop into the first quarter of the 16th century.
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