Il serpente come Messia. Rappresentazione alla rovescia del Paradiso nel teatro e nel cinema del XX secolo

• Autores: Yehuda Moraly
• Localización: Altre Modernità: Rivista di studi letterari e culturali, ISSN-e 2035-7680, Nº. Extra 1, 2011 (Ejemplar dedicado a: La Biblia en escena), págs. 105-110
• Idioma: italiano
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• Resumen

  • This paper analyses the way Paradise appears in different Theatre or Film productions of the XXth century: a biblical epos by the Israelian director Rina Yerushalmi, a film that became a classic, Children of Paradise (Carné, Prévert, 1943), the last show of the Living Theater, Paradise now (1968), and a film by Peter Weir, Truman Show (1998). In all of these productions, the Serpent, deeply negative in the biblical text appears like a positive figure, a kind of Messiah.