Mies Montage Mies van der Rohe, Dada, Film und die Kunstgeschichte

• Autores: Martino Stierli
• Localización: Zeitschrift für Kunstgeschichte, ISSN 0044-2992, Vol. 74, Nº. 3, 2011, págs. 401-436
• Idioma: alemán
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• Resumen

  • This article reports on the influence, design, and style of the German architect Ludwig Mies van der Rohe. The author analyzes several different aspects of Mies' style, such as the influence his work had on the development of architectural photomontages in the early 1900s, how Mies' relationships with several Dada style artists from Berlin, Germany affected his politics and his work, and how Mies' concept of space was the foundation for his interior visualizations and aesthetic theory in the 1900s. The author also compares his architectural representations to the cinematic montages in European films, discusses the differences between photocollages and photomontages, and mentions that Mies probably learned how to do photomontages is the stone masonry workshop belonging to his family.