Resumen de The Count and the Clares: Taddeo di Bartolo, His Shop, and Paintings for S. Martino-Sta. Chiara Novella at Pisa
The writer discusses a group of Taddeo di Bartolo paintings, including side panels that belonged to two dismembered polyptychs. She identifies a central panel for each set of altarpiece wings and argues that the works came from S. Martino-Sta. Chiara Novella, Pisa, Italy, whose 13th-century decoration was largely lost over subsequent centuries. She also considers the format, style, and ornament of the reconstructed polyptychs and what they reveal about the organization and activities of Di Bartolo's workshop in Pisa, Italy, and its evolution in the years he was working in Pisa.
