El Apocalipsis de mi vida (1999) by the Chilean playwright Alexis Moreno, considered an outstanding example in the national dramatic panorama of the late 20th Century, is the result of a punctual ethics and aesthetics research that manages to provide the audience with a deep critical reflection on Chilean reality, the implications with the recent past and the dark future perspectives. The aim of the essay is to focus on the �apocalyptic gaze� offered by the author through the staging of a total failure, treated as a 'way of life' without any possibility of resolution.
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