The writer discusses the St Matthew tondo for the church of S. Felicita in Florence, Italy. He outlines its historical context, analyzes the work as it was before a restoration in 1935–36, elaborates Rossi Scarzanella's discoveries in her analysis of an X-ray of the work, reflects on the authorship of the St Matthew, and speculates on its correct angle of installation when it is returned to the church.
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