Resumen de The paradox of Patrick Santoro's at the mercy of ruin
Patrick Santoro's At the Mercy of Ruin, featuring a surrealistic dreamscape blending cinemascope images of ruin with live action, serves as a site for investigating loss, love, ruin, and mercy. This review focuses on Santoro's live performance that draws on his ethnographic fieldwork at Old Shawneetown, IL, on the banks of the Ohio river, images from the ancient city of Pompeii, and his evocative personal narratives
