Google suggests that connectivity is the new paradigm for politics in the digital age. I argue that the effect of connectivity is a shift in the operation of power from the centralized institutions of the state to the decentralized logistics of inclusion of the digital metropolis. Explaining this power's features, I elaborate a media theory of inclusive disjunction and a feminist theory of pornographic exposure. Locating cultural resistance to connectivity, I look to feminist artistic responses to the city, from which I explore the feminist imagining of connectivity through the metaphor of the storm to reclaim their bodies as sites of contestation.
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