Francesco da Sangallo: un nome per due scultori

• Autores: Alessandra Giannotti
• Localización: Paragone. Parte arte, ISSN 1120-4737, Nº 126, 2016, págs. 3-24
• Idioma: italiano
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• Resumen

  • This is the first account of Francesco di Vicenzo Baccelli da Sangallo, hitherto confused with the better-known Francesco di Giuliano Giamberti da Sangallo. This gives coherent form to the latter's style and biography, ridding his oeuvre of the traditional and incorrect attributions of earlier scholarchip, which belong instead to the partly homonymous artist: three narrative scenes from the marble revetment of the Holy House of Loreto, some small putti from the same decorative project, and -in all likelihood- some elements of the interior of the New Sacristy in San Lorenzo, Florence. The article seeks to clarify Baccelli's evolution during the 1520s in Rome, Florence and the Tyrrhenian coast, in the shadow of Michelangelo, in contact with the workshop of Brtolomé Ordoñez in Versilia, and subsequently within the circle of Niccolò Tribolo and Raffaello da Montelupo, with whom he had collaborated profesionally in Loreto.