On the Make: Truman Capote, Seriality, and the Performance of Celebrity

• Ben Bolling ^[1]
  1. [1] University of North Carolina at Chapel Hill

     University of North Carolina at Chapel Hill

     Township of Chapel Hill, Estados Unidos

     
• Localización: American literature: A journal of literary history, criticism and bibliography, ISSN 0002-9831, Vol. 88, Nº 3, 2016, págs. 569-595
• Idioma: inglés
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• Resumen

  • This essay examines the serialized accrual of narrative in the transmedia celebrity construct of Truman Capote. Through historical and literary analysis of texts ranging from the travelogue The Muses are Heard (1956), the profile of Marlon Brando in “The Duke in His Domain” (1957) and the nonfiction novel In Cold Blood (1965), I argue that Capote’s most enduring text is his celebrity—an embodied serial that may be read as the performance of his unfinished masterpiece Answered Prayers. Capote as the celebrity-author models a site where narrative identities are rendered legible by the confluence of textual work and public performance.