Heiligenspielrezeption in der Schweiz 1929: Das Bruderklausenspiel von Oskar Eberle

• Simone Gfeller ^[1]
  1. [1] University of Bern

     University of Bern

     Bern/Berne/Berna, Suiza

     
• Localización: European Medieval Drama, ISSN 1378-2274, ISSN-e 2031-0064, Nº. 18, 2014, págs. 159-173
• Idioma: varios idiomas
• Texto completo no disponible (Saber más ...)
• Resumen

  • Based on Hansjürgen Linke’s study about the history of the reception of religious and secular medieval plays in twentieth-century Germany, the paper examines the respective situation in Switzerland. It focusses on the Bruderklausenspiel (1929), written and staged by Oskar Eberle. The director and scholar Oskar Eberle, and the Schweizerische Gesellschaft für Theaterkultur (SGTK) were the most influential supporters of the reception of religious plays in twentieth-century Switzerland. While in Germany the revival of medieval theatre emphasized a Renaissance of a former national importance, in Switzerland, the situation was very different. The revival of religious plays had a certain confessional background, and the political idea was to strengthen national self-confidence, and to confirm the nation’s historical neutrality concerning foreign affairs.