The position of subject and object in photography from the perspective of kant and heidegger’s theories position of subject and object in photography according to kant and heidegger viewpoint

• Autores: Shila sheedfar, Hossein Ardalani
• Localización: QUID: Investigación, Ciencia y Tecnología, ISSN-e 2462-9006, ISSN 1692-343X, Nº. Extra 1, 2017, págs. 2370-2383
• Idioma: inglés
• Enlaces
  • Texto completo (pdf)
• Resumen

  • During In the history of photography, photography has had notable communication with objectivism. One of the main reasons that photography always has been accused that "photography is not art" was the nature of the media / art of photography and its objective and mechanical representation. This story is been problematic for the audience when Be aware that throughout history The brightest periods and artistic photography  movements is caused by the nature of objective representative  of camera Thus, this paradoxical function of objectivism in art of photography is the main issue in this paper. In philosophical thought in modern age especially after Dekart’s ideas, Phenomena exist beyond the knower subjectivity. In fact, Descartes’s thought, Distinguished   the mind and the body or subject and object and considered it premier than the other one. In the context of such thinking, art is not considered as imitation of reality but it is the result of the creativity of the human mind. Convert the object to the subject and   transition from object to subject and concept of subject it is a long way that Kant and Heidegger passed to take some distance from previous philosophical traditions. The purpose of this article is study of attitude of Kant and Heidegger about subject and object and its important result is describe and explain the characteristics of subject and object in photography be based on Kant and Heidegger viewpoints.