Marziyeh Talebi, Simon Ayvazian
What we are facing in this article was the study of calligraphy art, especially the Nestalıq font, in terms of its aesthetics and its alignment with the art of architecture. Since calligraphy is a full-fledged art, it is important to understand the status of calligraphy art among other arts. The research methodology of this paper was descriptive and analytical, and data were gathered in a library and documentary manner. This paper responded to the question of what features the Nastaliq font has among the arts, especially the Islamic countries, that is considered the finest arts and, in addition, what are the common features between the art of calligraphy and the art of architecture. For this purpose, firstly, the definition of calligraphy and principles of the Nastaliq font have been discussed, and then the common aspects of the Nastaliq font and architecture have been investigated.
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